Special Feature: Audio-Visual at a Distance in Pedagogy and Practice
Introduction: Screen-Teaching
Talking Through Reality/TV: Black/Feminist Viewing Party Pedagogies
Teaching to Transgress in the Virtual Classroom: Tools for Implementing the Guerrilla Girls’ Art of Complaining
Multivocal and Decentered Expertise: Audio and Visual Texts in the Online Gender and Women’s Studies Course
Getting a Sense for Culture: Bridging the Distance in Remote Learning
Political Citizenship at Last!
The Hidden Costs of Zooming: Exploring Non-digital Pedagogies for a More Sustainable Future
Lesson Plans
Teaching Selam Mekuria‘s film Sidet: Forced Exile
Queering the (Female) Gaze: Teaching Céline Sciamma’s Portrait of a Lady on Fire (2019)
Essay
Gray Matters the Blog: Merging Academia and Multimedia Spaces
Reviews
Films
Reviewers
It’s Criminal
dir. Signe Taylor, 2017
Seats at the Table
dir. Chris Farina, 2018
reviewed by Shoshana Pollack
Twelve Neighbours
dir. Marianna Economou, 2009
Chez Jolie Coiffure
dir. Rosine Mbakam, 2019
reviewed by Elsa Koleth
The End of Poverty?
dir. Philippe Diaz, 2008
Debtors’ Prisons: Life Inside America’s For-Profit Justice System
dir. James Burns, 2016
Free Lunch Society
dir. Christian Tod, 2017
reviewed by Vivyan C. Adair, Taveeshi Singh and Stina Soderling
Tell Them We are Rising: The Story of Black Colleges and Universities
dir. Stanley Nelson and Marco Williams, 2017
Living Thinkers: An Autobiography of Black Women in the Ivory Tower
dir. Roxana Walker-Canton, 2013
reviewed by Tamara Bertrand Jones and Challen Wellington
From “Iron Girls” to “Leftovers”: Independent Women in China
dir. Milène Larsson, 2015
Black Feminist
dir. Zanah Thirus, 2019
Feminism Inshallah: A History of Arab Feminism
dir. Feriel Ben Mahmoud, 2014
reviewed by Navaneetha Mokkil
White Scripts and Black Supermen: Black Masculinities in Comic Books
dir. Jonathan Gayles, 2012
Horror Noire: A History of Black Horror
dir. Xavier Burgin, 2019
reviewed by Debra C. Smith
Old South
dir. Danielle Beverly, 2015
Gideon’s Army
dir. Dawn Porter, 2013
reviewed by Matthew W. Hughey